The Practice of Oil Painting and Drawing Solomon J Solomon

Practice of Oil Painting and Drawing

Practice of Oil Painting and Drawing

Description

This instructive volume introduces not simply the techniques of oil painting simply also the underlying principles of figure cartoon. Written by a distinguished Pre-Raphaelite painter, portraitist, and volume illustrator, the treatment begins by explaining the construction of the figure, head, and limbs. Succeeding chapters illustrate these teachings with examples of images by the Old Masters, including paintings from the Italian, Dutch, Spanish, French, and British schools.
The Birmingham Daily Post pronounced this volume probably the well-nigh useful handbook for art students that has nonetheless been published. Students at every level of expertise volition benefit from its discourses on light and shade, monochrome written report, still life in colour, painting from life in monochrome, coloring a monochrome, and painting in color directly from life. Thirty-ii full-colour pages complement this new edition of a timeless guide.
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Production details

  • Paperback | 368 pages
  • 136 10 216 x 30.48mm | 566.99g
  • Dover Publications Inc.
  • New York, Us
  • English
  • Illustrations, unspecified
  • 0486483584
  • 9780486483580
  • 68,066

Table of contents

Part IIntroductoryI. A Method by which the Round Object can be Reduced to the FlatII. Construction of the FigureIII. Construction of the HeadIV. CharacterisationV. The Arm and Hands--LegsVI. Light and ShadeVII. Painting--Materials--ColoursVIII. Monochrome StudyIX. Textures in MonochromeX. Notwithstanding Life in ColourXI. Silver and China in ColourXII. Hints on Arrangement--Solecisms in CompositionXIII. Painting from Life in MonochromeXIV. Colouring a MonochromeXV. Painting in Colour straight from Life--Prepared and Direct Painting compared Part 3. Methods of the MastersII. Italian SchoolsIII. The Schoolhouse of TitianIV. The Italian School--continuedV. The Flemish SchoolVI. The Dutch SchoolVII. The Dutch Schoolhouse--continuedVIII. The Castilian SchoolIX. The French SchoolX. The British SchoolXI. The British School--continuedXII. On CopyingXIII. Assay of CompositionXIV. A Few Words on the Study of AestheticsIndex
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